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12.5_H5165[b]
![12.1_Ha7566[b]](http://at.bristolmuseums.org.uk/wp-content/plugins/justified-image-grid/timthumb.php?src=http%3A%2F%2Fat.bristolmuseums.org.uk%2Fwp-content%2Fuploads%2F2020%2F11%2F12.1_Ha7566b.jpg&h=220&q=90&f=.jpg)
12.1_Ha7566[b]

breccia pot
This is a breccia stone pot.
It is from Grave 133
mould x 5
These are moulds for making amulets.

necklace
This is a bead necklace.
It is from the Sinai Peninsular. The ball beads were probably hand-made and the disc beads mould-made. The beads were re-strung by an excavator or more recently at the museum. It is not known if this was the original order that the beads were in.The ancient Egyptians mined turquoise and copper in the Sinai Peninsular. Faience was probably meant to imitate turquoise
new year jar
This is known as a New Year flask.
It is from Tell Hisn (Heliopolis). The ancient Egyptian New Year started in late summer when the Nile began to flood. The Egyptians thought that this period of transition was a dangerous time
Eye of Horus mould
This is a mould for making an Eye of Horus amulet.
It is from Egypt but the exact location is unknown. Faience was made in small workshops
white line bowl
This is a bowl.
It is from El-'Amra. Pottery was one of the earliest crafts developed in Egypt and has proved invaluable for dating archaeological sites. Nile silt![H697[a].1250x1250](http://at.bristolmuseums.org.uk/wp-content/plugins/justified-image-grid/timthumb.php?src=http%3A%2F%2Fat.bristolmuseums.org.uk%2Fwp-content%2Fuploads%2F2020%2F11%2FH697a.1250x1250-1024x683.jpg&h=220&q=90&f=.jpg)
H697[a].1250x1250

eye of Horus amulet
This is a wedjat or Eye of Horus amulet.
They are from San el-Hagar (Tanis). The wedjat represents the eye of Horus that was injured in a fight with his uncle Set. The markings are like those on the eye of a hawk. The Egyptians believed the wedjat had healing properties
cloth

cloth with weaver's mark
This is a piece of mummy bandaging with a weaver's mark on it.
It is from Pit 7 at the Temple of Mentuhotep at Deir el Bahari. Weaver's marks in cloth identified who made the cloth
disc bead mould
This is a mould for making disc beads.
It is from San el-Hagar (Tanis). Faience was made in small workshops
BMG-H5173

misfired rings
This is a mis-fired faience piece.
It is from Egypt but the exact location is unknown. The faience workers left hand-built and moulded objects to dry before firing them in a kiln. During firing
Nefertem amulet
This is an amulet of the god Nefertem.
It is from Egypt but the exact location is unknown. Nefertem was the god of the primeval lotus blossum. He has a lotus flower and plume headdress which represents fertility. This large amulet was made in a mould
stone frag showing tunic
This is a stone fragment showing a man in a pleated garment.
It is from Egypt but the exact location is unknown. The hot climate of Ancient Egypt meant that simple lightweight linen clothes were worn by most Egyptians. Whilst a number of examples of New Kingdom textiles have survived
double ship vase
This vessel is made from two joined pots.
It is from Grave B225 at El Amra. Many pots have been excavated![12.5_H5165[a]](http://at.bristolmuseums.org.uk/wp-content/plugins/justified-image-grid/timthumb.php?src=http%3A%2F%2Fat.bristolmuseums.org.uk%2Fwp-content%2Fuploads%2F2020%2F11%2F12.5_H5165a.jpg&h=220&q=90&f=.jpg)
12.5_H5165[a]

shabtis x 4
These are mummiform figurines known as shabtis.

cloth
This is a piece of cloth.
It is from Grave 45 at Tarkhan (Kafr Ammar
eye of Horus amulet
This is a wedjat or Eye of Horus amulet.
It is from the south side of the sanctuary at San el-Hagar (Tanis). The wedjat represents the eye of Horus that was injured in a fight with his uncle Set. The markings are like those on the eye of a hawk. The Egyptians believed the wedjat had healing properties![Ha5406[a]](http://at.bristolmuseums.org.uk/wp-content/plugins/justified-image-grid/timthumb.php?src=http%3A%2F%2Fat.bristolmuseums.org.uk%2Fwp-content%2Fuploads%2F2020%2F11%2FHa5406a.jpg&h=220&q=90&f=.jpg)
Ha5406[a]
Ha5406a

goldsmith stela
This is a stela to Scribe of the Granary.
We do not know where this object is from. A translation of the text reads: "Osiris Lord of Life; Isis the Mother Goddess; the ka of the Scribe of the Granary
Cloth Fragment
This is a fragment of cloth.
It is from Egypt but the exact location is unknown. This is a fragment from a larger piece of weaving![12.2_H697[a]](http://at.bristolmuseums.org.uk/wp-content/plugins/justified-image-grid/timthumb.php?src=http%3A%2F%2Fat.bristolmuseums.org.uk%2Fwp-content%2Fuploads%2F2020%2F11%2F12.2_H697a.jpg&h=220&q=90&f=.jpg)
12.2_H697[a]

set of amulets x 15
This is a set of 15 amulets.
They are from Saft el-Hinna
cloth
This is a piece of cloth.
It is from Grave 45 at Tarkhan (Kafr Ammar
12.6_H473

triad amulets x3
These are triad amulets featuring Isis

necklace
This is a beaded necklace with bright blue bell-shaped flower beads.
It is from Egypt but the exact location is unknown. The ancient Egyptians called faience tjehenet - deriving from 'shining' or 'dazzling' - and linked it with light symbolic of life![12.4_Ha5266[a]](http://at.bristolmuseums.org.uk/wp-content/plugins/justified-image-grid/timthumb.php?src=http%3A%2F%2Fat.bristolmuseums.org.uk%2Fwp-content%2Fuploads%2F2020%2F11%2F12.4_Ha5266a.jpg&h=220&q=90&f=.jpg)
12.4_Ha5266[a]
![12.3_Ha5271[b]](http://at.bristolmuseums.org.uk/wp-content/plugins/justified-image-grid/timthumb.php?src=http%3A%2F%2Fat.bristolmuseums.org.uk%2Fwp-content%2Fuploads%2F2020%2F11%2F12.3_Ha5271b.jpg&h=220&q=90&f=.jpg)
12.3_Ha5271[b]

ring
This is a decorated finger ring.
It is from Egypt but the exact location is unknown. Blue was the most common colour of faience
Pan grave cup
This is a "Pan Grave" cup.
It is from Deir Rifa. The "Pan-Grave" people were Nubian cattle herders who moved into Upper Egypt in the Hyksos Period - the 15th Dynasty. The name comes from their style of burial in shallow pit-graves.This style of black-topped redware pottery was made by the settlers
9.4_H5116

kiln supports
These are kiln supports for pots.

Amarna pot
This is a large decorated pot from Amarna.
It is from El-'Amarna (Akhetaten). Large numbers of pots survive from ancient Egypt. This one is from the Amarna period
shabti
This is a mummiform figurine known as a shabti.
It is from Deir-el- Bahari. The Egyptians believed that shabtis do the work of the deceased and their servants in the Afterlife. The term shabti means "answerer". When the deceased's name was called to work![H697[b].1250x1250](http://at.bristolmuseums.org.uk/wp-content/plugins/justified-image-grid/timthumb.php?src=http%3A%2F%2Fat.bristolmuseums.org.uk%2Fwp-content%2Fuploads%2F2020%2F11%2FH697b.1250x1250-1024x682.jpg&h=220&q=90&f=.jpg)
H697[b].1250x1250

toy horse
This is a toy horse.
It is from Tell Nabasha. Potters made a wide range of household goods
new year jar
This is known as a New Year flask.
It is from Memphis. The ancient Egyptian New Year started in late summer when the Nile began to flood. The Egyptians thought that this period of transition was a dangerous time
tiles
These are decorated tiles.

cloth
This is a piece of cloth.
It is from Grave 45 at Tarkhan (Kafr Ammar
kohl pot
This is a kohl pot.
It is from Saft el-Hinna
bowl fragments
These are bowl fragments.
They are from Egypt but the exact location is unknown. Faience makers modelled larger objects such as bowls and figurines by hand rather than using moulds. These three fragments
flower bead mould x2
These are moulds for making flower beads.

eye of Horus amulet
This is a wedjat or Eye of Horus amulet.
It is from San el-Hagar (Tanis). The wedjat represents the eye of Horus that was injured in a fight with his uncle Set. The markings are like those on the eye of a hawk. The Egyptians believed the wedjat had healing properties
necklace
This is a beaded necklace.
It is from Grave A14 at Qurna
beads
These are faience beads.
They are from Dendara. The faience makers of ancient Egypt produced innumerable beads. They were cheaper and easier to produce than stone beads. Many faience tube beads